Adal Maldonado is a Puerto Rican artist that began his culturally inspired photography when he moved to New York City at the age of seventeen. He has had experience producing suggestive and surreal photographic collages in the early 1970’s, as well as portraits of others with an ethereal theme. “The Evidence of Things Not Seen” is a cluster of collages that create a disorienting effect that is said to resemble his inner most intimate mental landscapes. He likes to create imaginary worlds that fans appreciate across the globe. He claims to have explored the world of biographical art by using himself in his photos and is know for his collaboration with different artists. His art has been featured in such museums as the Museum of Modern Art in New York City, the San Francisco Museum of Modern Art, the Houston Museum of Fine Arts, the Metropolitan Museum of Art is New York City, and also other various museums over seas.
At his assembly that took place in the Kehr Union Multicultural Room, he explained that he enjoys using dark humor and politics behind his art. He also explained his experiences concerning baptism. He was in fact, baptized himself and shared a story about a Jewish woman he had met who was unable to explore in a church called La Santa La Madre de Tomates because she wasn’t baptized. The church is an inspiring place, established by Reverend Pedro Pietri in 1976, where all of the artwork was created from inspiration by Adal in 2001. Adal felt that this woman deserved to enjoy what the church had to offer, so he helped get her baptized. He said that ever since then, folks have been getting baptized in order to get permission to enter the church.
At the end of Adal’s presentation I decided to meet him and tell him about my first experiences working with photography. I felt that we share a lot in common because we share similar passions and both like to express inner feelings in our art. He told me that he was truly inspired twice in his young life when it comes to photography. He explained to me that he lived above a portrait photographer named Chuck Stuart, an album cover photographer, who would constantly explore the faces around him and even asked to photograph his mother. After meeting Adal, Stuart invited him upstairs into his studio and invited him to become his assistant. Adal fell in love with photography and tried saving up money to open his own studio. Stuart recognized his passion and three years later helped pay for a studio in hopes of helping Adal follow his dreams. Adal claims that Stuart was a big inspiration to him.
We discussed photography further and in more detail, and both agreed that the most mesmerizing and magical part of photography is letting the exposed print into the dektol, and watching the photo come to life.