Tuesday, December 14, 2010
Monday, December 13, 2010
Final Blog
I found my self very interested in a lot of the pieces in his collection, the fact that he uses animals in an almost dark way makes his work unique. A lot of the pieces that he creates has some almost deathly or creepy feel to them. In one piece he created the head of a bull type figure that was melting away. He used a red ink that made the image look like evil story told like image from an old wives tale. I think that the use of the darker aspects makes his pieces stand out and catch my eye.
Finally the last piece of his that caught my eye was, They Will Rise (Warbirds) the image of a cartoon bird flying in a menacing way over a city like setting of buildings. The bird appears to be much larger than the buildings giving it a monster type feel to it. I think his color choice also plays a part in the interpretation of the piece. In the piece he uses black, white and medium blue, these colors together make it appear to be an almost dingy or gloomy day. I could see this image being used in a comic book about birds attacking the world. I think the colors play perfectly into the image and the title, if the colors were softer it would not appear to be as dark of an image. Overall I am impressed by all of his works and would be interested to see what else he comes out with n the future.
Final Blog for Anna G.Torfadottir
For my final blog I decided to research an artist on Inkteraction. One particular artist whose work stood out to me was Anna G. Torfadottir. Anna Is from Iceland and I was very interested in how her culture and natural surroundings inspired her artwork. Several pieces in the collection on inkteraction are about the natural scenery of Iceland, these pieces often include photographs that Anna has taken herself of mountains, and birds. They are especially beautiful because of her color choices, which are usually very soft, light colors for the majority of each piece and then she adds bright vivid colors in small areas. I found more of Anna's work on other websites and it seems like she is really inspired by the ravens that live around her home, in these pieces it seems apparent that she is also inspired by native american culture, because of the way she draws some of the animals. The other work that she has featured on Inkteraction is more intense than the work focused on her natural surroundings. In these pieces she uses richer colors and powerful emotions, which really drew me into her artwork. Anna also uses more layers in her later works, which adds to their intensity.
EricShirk Final Post- Marcy Geyer
Dominic Santora: Senior Exhibition Show
What I thought was the most interesting part of the exhibition was the talk given which displayed a senior artist's work which was directly and obviously influenced by her Moroccan heritage. This consisted of mostly digital work dealing with Moroccan women. What i liked about it was the consistensy of the color pallete she chose which represented her heritage as well as the unique designs which appeared on the hands and faces in her pieces.
This show had a big influence on the way I think about art due to the Moroccan influenced pieces as well as Thomas Dugan who created a greenhouse which harvested solar energy. This exhibition made me realize there is many different ways to express art and send the messages I wish to send through my art.
Eric Gustitus Final Blog Assignment
Dominic Santora: Marcy Geyer
All of the pieces she showed were very well made and the printmaking was excellent. I especially liked the pillows which she placed in random places on campus. I feel this was a very creative way for her to spread the message about LGBT rights. The part i liked most was that she placed one of the pillows in the MoMA. These pieces of art are very good to put in places such as this to both spread the message of her art as well as her name. I think if she continues with as much passion as she currently has she will go far with her art.
Cate Striplin Final Post: Marcy Geyer
I was unsure of Marcy's stance as an artist and honestly was not sure of her previous major at Bloomsburg- but recognizing Marcy as a friendly and welcoming person at bloom I was inclined to listen to what she had to say and to learn about her passions.
Turns out Marcy is a passionate activist for the LGBT community and her art speaks volumes about the topic. With such an important issue at hand, Marcy's work is more than necessary.
The time and thought that Marcy has incorporated into her pieces is apparent and the message is clear and deliberate. The artist has such an innovative approach to her work. It is hard to explain in writing and it seems that Marcy's work is best viewed in person; possibly the most obvious statement one could compose regarding art. But, still, Marcy's work is quite powerful.
I was particularly moved by the thought provoking pieces consisting of voters ballots that highlighted the discrimination and hypocrisy of the judicial system regarding marriage rights and same sex unions. Drawing attention to the need for equal rights and the injustice of the current state of affairs, Marcy's pieces make you think. feel. view something so commonly overlooked, so commonly taken for granted in a way that you may never have before. I personally have always been in support of gay marriage in every sense of the word, however I admit to never noticing the true privilege it is that I may marry as a straight woman. To think about a nation voting on my right to enter a union with the person that I love, to marry, stops you in your tracks. Most girls dream of their wedding since childhood, why may I enter that contract so easily and others are denied what seems to me to be a basic right?
Then viewing Marcy's work regarding hospital visitation rights for gay couples becomes almost unbearable. What an atrocity.
Marcy has the ability to convey the issues with conviction as a rebirth of a needed civil rights movement. I hope Marcy continues to grow and expand her work. It is truly important art.
Rachel Harris, Final Blog Assignment
Her work was very interesting to look at. While watching the slide show we were able to enjoy her progression as an artist and through the years her works have morphed into pieces that can easily get messages through to the audience. My favorite thing that Geyer walked about was her pillows and how she left them around in places, even in the MoMA. The subtly of this work was creative because discrimination is not always in your face. It was definitely a creative way to spread awareness. Overall, I enjoyed Marcy Geyer's talk and looking at the works of art she had produced over the years.
Lee Patton Final Blog: Marcy Geyer
Amber Weaver: Final Blog Assignment
Sunday, December 12, 2010
Candyce Musinski - Final Blog Assignment (Marcy Geyer)
Brooke Knepp-Final Blog
Tuesday, December 7, 2010
Erica LoPresti - Final Blog Assignment
Francesca Pizzurro Final Blog Assignment Option #1 Marcy Geyer
Tuesday, November 30, 2010
Philadelphia Trip; Rachel Harris
The bus dropped us off at the Philadelphia Museum of Art where Amber and I immediately decided to go inside knowing that we could find a few things that we liked before going off to find another gallery to look around at. We were there for about an hour when we came across a room where an artist, Cy Twombly , had a display of his works; Fifty Days at Iliam.
What first caught my eye was the title of his collection. Iliam was mentioned many times in Greek myths and history. Being a big fan, and a bit knowledgeable, of the Greek culture, I immediately wanted to go in and see the works. Walking into the room I was greeted with large, almost wall consuming, works on canvas. When getting a better look at the pieces, I realized that there was barely any paint on the canvas. Instead the works were mostly done in oil crayon, which is one of my preferred mediums.
The way Twombly was able to create works of art that only looks like scribbles from afar amazed me. Many people who looked at the works, I noticed would say things about how they only were scribbles, but to me they were much more than just scribbles. Being educated with Greek Myths and history I could see the battles, the Greek Gods and Goddesses that were watching from their homes in Olympus along with delving into the lives of the mortals. To me the pieces were beautiful works that had a person thinking if they really just were scribbles, or did they tell a story?
After looking around the rest of the museum, casually stopping by the Modern Art wing to insect what people were making art out of now and days, Amber and I met up with Frenchie before loading onto the shuttle bus to visit the Eastern State Penitentiary. But not before running up the Rocky steps and humming Eye of the Tiger.
Though there wasn’t much in ways of art at the Penitentiary, I did admire the age of the buildings and the gargoyles that surrounded the stone buildings. There was such an eeriness about the place that gave me the chills but intrigued me at the same time. The walls seemed to be deteriorating before everyone’s eyes and there is just something about decay that I always thought was a bit beautiful.
Realizing that there wasn’t much time left, we had spent much more time at the Penitentiary than we thought, Amber, Frenchie and I decided that we could make it to one more gallery before meeting up at the bus to go back home. We came across the Moore Gallery but they were closing at five o’clock. The woman manning the desk said we could look around until they closed so the three of us went off inside.
There was much to look at in the Moore Gallery but the works that captured me the most were these beautiful black and white photos of these women from Saudi Arabia. With my limited amount of time to look around I could only study them for a moment.
What really had me hooked was one photograph of a headshot of a woman who was covered from the top of her head down, the only thing that was showing was her eyes. The culture of the Middle East is so foreign to me, never have a really studied it, but these women who wear these berkas and veils for their culture and religion is so different that it’s beautiful. The eyes are the door to people’s souls I believe and staring into this woman’s eyes had me trying to attempt to know what she was feeling, wonder what beauty she was hiding.
The entire instillation was breathtaking and I only wish I could have stayed around long to look at every single detail. But we had to leave and find the bus pick up. All in all, the trip to Philadelphia was amazing and only slightly stressful due to time and managing to get lost. I definitely need to go back and look around, this time without a time limit so that I can sit back and enjoy the art.
Monday, November 22, 2010
Field Trip To New York
Tuesday, November 16, 2010
Field Trip to Baltimore. Eric Shirk.
Eric Shirk
Last week I went on my field trip to two art museums in baltimore, maryland. As I had been to other art museums before I did not feel like I would enjoy going but man was I wrong. This experience with these art museums has been the best ive ever had I think. The first museum I visited was the Walters Art Museum. As there are four floors to this museum you can imagine the vastnass and amount of peices in this museum. It was truly unreal.
Monday, November 15, 2010
EXTRA CREDIT #1
THE PENNSYLVANIA ACADEMY OF FINE ARTS (PHILADELPHIA)
CANDYCE MUSINSKI
The Pennsylvania Academy of Fine Arts in Philadelphia was a delight to visit. This museum was unique from all of the others I had visited in Philadelphia because it displayed student art works. I found this to be quite amazing because the pieces that I saw were remarkable. I thought going in to this establishment that the student work would be from this present year. However, these pieces dated back years and years which I found very interesting. I wondered how this museum was run and if all students were allowed to display their art.
I did not pay to see the entire museum, but I was able to view the entire first floor of student work for free. The work, mostly paintings, was quite impressive. This piece titled Run through the Desert was created by Charles Andersen with acrylic on canvas. This is the second image posted above. Andersen was a student from 1985-1988. It was priced at $4,000. I was curious as to whether or not this painting has been on display since 1988 or if the artist just recently created it to sell. The whole idea of selling the student’s artwork in a museum was pretty interesting. I liked how students could do that.
The guest artist at the museum was Tom LaDuke. This artist used acrylic and airbrush on large scaled photos. The bright, detailed, and scattered acrylic on the dull photos was very pleasing to the eye. It released a ghost-like quality and it took me a while to take my eyes away. The installation is called run generator and they were not for sale. This is displayed in the first photo above. I appreciated the variety in the museum.
Though I did not pay for the full museum exhibit, I was able to view a lot of art for free. The entire first floor was free and this consisted of about ten different rooms/hallways. I thought it was cool that the museum offered this to the public. There was also a building next to this museum that showcased various artists from a specific theme. The theme that was presented during my visit was Narcissus in the Studio: Artist Portrait and Self-Portraits. I wish I had enough time to see this exhibit, but unfortunately I was too late! I could see some pieces from the outside through the windows, however, and it looked very captivating.
The Pennsylvania Academy of Fine Arts in Philadelphia was a pretty incredible place. I loved the concentration on student works. I also enjoyed that they sold some pieces. The guest artist, Tom Duke, was also displayed and I got a sample of some great professional fine art. Though I never got to the other levels of the museum or the extension next door, I could tell it was filled with lots of lovely and exciting pieces that I would one day love to see.
CANDYCE MUSINSKI
The Fabric Workshop and Museum in Philadelphia was a strange experience for me. Though I enjoyed the art work and appreciated the guest artist, Joan Jonas, I felt uncomfortable while visiting. The atmosphere and staff made me feel unwanted. When I entered the museum, I was first led to a gift shop and I was not greeted so I felt lost. I finally asked the woman at the gift shop counter if I could see the exhibit and she seemed annoyed as she charged me for the entrance and called for a security guard to lead me into the back room. After leading me into the back, I was left alone in the small, white room that included 4 pieces of art.
Thankfully, the art was intriguing. There was a huge piece against the entire wall entirely made out of fabric. The shading was very detailed and particular and when I stepped back, it appeared to be very smooth and beautiful. In the center of the room was my favorite piece. It was a large red fabric sheet with a section of the Japanese constitution printed on it. A large heap of smoke covered the print as well. The section of the Constitute was a beautiful little law that inspired me. The colors against the words and the lighting around it gave off a hopeful vibe.
I thought this was the only gallery they had to offer, but when exiting the staff told me to follow her into the elevator for the second level. I felt so awkward in that elevator because the woman didn’t say a word to me! I know that technically she wasn’t my “tour guide”, but I felt she could have introduced the artist I was about to see or even ask me how my day was. All she did was hand me a paper about the artist and told me that she would be waiting to bring me back downstairs after I was done looking at the gallery. I then felt obligated to rush my experience.
Though the staff was making me uncomfortable, the artist’s presentation was quite alluring. The room was darkened and the walls were painted a dull blue with huge grey markings and figures drawn on it. There was creepy music filling the room and projections of several images were on sections of the walls. There were also tables with different drawings of eerie trees and creatures on them. The artist, Joan Jonas, had a small television on one table that had her painting and drawing her images while dancing. It was weird but captivating. The installation was called Reading Dante III and was inspired by the epic poem The Divine Comedy. Jonas’ interpretation of this poem was successful and I really liked it. I wanted to stay in that room all day, but the staff was making me feel hurried.
All in all, the Fabric Workshop and Museum of Philadelphia had some lovely pieces. Though I felt rushed and unwanted with my visit, I enjoyed what they had to offer. The pieces of fabric on the first level were impressive and complex. The guest artist, Joan Jonas, also had some great work to show off. Her installation, Reading Dante III, created a cool atmosphere and her drawings were pretty fascinating. Though my entire experience was not entirely pleasing at the Fabric Workshop and Museum, I think I learned a lot and got a good taste of a new artist.
FIELD TRIP ASSIGNMENT #1
PHILADELPHIA MUSEUM OF ART (PHILADELPHIA)
CANDYCE MUSINSKI
Visiting the Philadelphia Museum of Art was such an exhilarating experience. It was probably one of the largest museums I’ve ever been to and it sucked me in. As soon as I entered the building, I was overwhelmed with excitement. The space was huge with high ceilings and detailed structures. The atmosphere was electrifying, but comfortable at the same time. I was anxious to see what this inviting establishment had to display.
When I first entered, I was drawn to a sectioned room devoted to the guest artist, Michelangelo Pistoletto. This artist was really inspiring to me. He painted large images of people doing various activities on darkened mirrors. The paintings created an eerie mood and the detailed images against the mirrors felt isolated. I really enjoyed these images, but his works continued to become more interesting as I walked farther into the gallery. In one room, there were white ceramic manikins searching through huge piles of clothes. It was like a beautiful mess. The colored articles against the pure white statues were pleasing to the eye. It was pretty lovely.
In the center room, Pistoletto had various different sculptures, paintings, lights, and woodworks that had no definite theme. One piece was a huge rose blooming out of the wall and it was made out of cardboard. Another piece was a wooden bench in a sunken wooden box. Another piece was a large photograph of a man yelling with a large green lamp illuminating it. When observing these pieces, I was drawn to them but was uncertain of how they were supposed to make me feel. I overheard a tour guide of a group explaining that Pistoletto was attempting to create a random atmosphere. He explained that Pistoletto did not want to be confined to one style or theme because to him, the world is so diverse it needed to be unsystematic. I appreciated that concept.
Though Pistoletto was quite enjoyable, the one thing that I truly enjoyed about the Philadelphia Museum of Art was the amount of art they had displayed. Of course, this is one of the largest museums in America, but I could not believe that they displayed so many really famous, original pieces. Artists from Pablo Picasso to Salvador Dali had original pieces displayed throughout the museum. It was so exciting to see pieces that I have studied placed right in front of me. Seeing the original pieces in front of me was such an invigorating experience. I actually couldn’t believe that they were originals sitting in front of me, so I had to ask a staff member to make sure they really were. It was pretty remarkable.
Overall, my experience at the Philadelphia Museum of Art was perfect. Everything from the structure of the building to the pieces of art presented impressed me. The atmosphere was welcoming and the guest artist, Michelangelo Pistoletto was an unplanned pleasure. I loved every minute in this grand museum. I hope to visit this museum again shortly!
Sunday, November 7, 2010
Maryam Cristillo Field Trip Assignment
Righteous Dopefiend: Homelessness, Addiction, and Poverty in Urban America
By Jeff Schonberg and Philippe Bourgois
And
Untitled I. 1978: Marisol Escobar
The first exhibit I walked into was housed inside the University of Pennsylvania museum. It is a museum well known for its ancient exhibits of mummies and Mesopotamia. These were all beautiful exhibits that captured the adventurous minds of visitors but on the first floor I came across a more gripping exhibit that captured my ear. I walked into an exhibit that was a mixture of black and white photographic instillation, tape recordings of the subjects, field notes taken by the artists and critical analysis that opened a dialog. Photographer-ethnographer created the exhibit, Jeff Schonberg and Anthropologist Philippe Bourgois. The exhibit is called, Righteous Dopefiend. Schonberg and Bourgois spent more than a decade with heroin addicts and crack users, which led them to present not only images of homelessness, addiction, and poverty in urban America but documentation in the form of sight and sounds.
I was confronted with these issues when first entered the exhibit and was blown away by the powerful photographs. The photographs were powerful because they were in black and white two colors that are devoid of real color that would distract the viewer from the subjects. The photos are in the moment not something set up or organized with specific intent. The emotion of the people in the photos is raw and agonizing to witness. The added tape recordings of the addicts’ discussions of how they feel and where they are in life really touched me. Each piece was untitled but the most captivating piece was of the homeless disheveled man with arms raised above his head and a sign slung over his chest reading, “NEED WORK PLEASE HIRE! MARRY XMASS GOD BLESS!” That simple sign hanging off of his thin figure underlines the issue of homelessness, addiction and signals the desperation that people in urban areas all over America are experiencing. The perspective the photo was taken makes the viewer see this homeless and jobless man from the angle that emphasizes the issue should not be overlooked. The majority of the community usually overlooks the homeless, stigmatizing them because they are a sign of failure and are looked down at because they are huddled in a corner on the floor, etc. I enjoyed this particular piece and the overall exhibit for its powerful content that opens a dialog with the urban community that is rarely discussed and seen in America.
I came across the Arthur Ross Gallery that was exhibiting naked, the University of Pennsylvania’s collection unveiled. Which sounded risqué and the exhibit kept true to its title. The exhibit space itself was not very enticing but rather plain. However, the collection housed various mediums that presented the human form in the action of undressing or completely undressed from figurative, abstract, to representational. The sculptures were beautifully and artfully placed about the entire exhibit. The paintings, photographs and prints where hung up but there was one piece that really made me stop and look. Interestingly it was color lithograph of two figures whose sex cannot be distinguished.
The figures are captured in a moment whereupon they might kiss. The colors used by the artist Marisol Escobar, is a mixture of hot and cold. The dominating white space is balanced by the warm orange bursting between the two figures. Escobar used black, purple, reds and green contour lines to define the figures. I just love the way the hands reach out and how they are placed on the two figures. The hands and colors are what really tie in the piece and create a flow where the eyes can move around to meet with arresting forms that are somewhat abstracted. The artist did a great job with creating two figures that are similar yet different leaving the viewer to wonder who the two lovers could possibly be?
The two exhibits differed greatly especially in the way the particular pieces in this essay were displayed. The Righteous Dopefiend exhibit came with the sounds of the city, tape recordings of the drug users and the homeless as well as an analysis of what was documented. The thoroughness of the Righteous Dopefiend exhibit really impressed me. But that’s what the exhibit needed to be a strong cohesive exhibit. At the Arthur Ross Gallery, though it was exhibited in a plain and simple manner, I was still impressed and captivated by one piece that left me staring for a while. The arresting colors, forms and mysterious subjects really did naked, the Universities unveiled exhibit, justice.
Friday, November 5, 2010
Kyle Shalongo- N.Y.C.Field Trip Blog
The first museum we visited was the very spacious and prestigious Metropolitan. This enormous exhibit was broken up into sections of time and location along the course of the world's history. I really like how the sections were organized to certain time periods we would think of like;Egyptian, Renaissance, Roman, and a precolonial setting of the 17th and 18th century. Along with a great amount of artwork visually available, there was a pleasant historical factor following you in every room reminding one that these awesome artifacts and relics are only a thing in the past to us, as they were real tools and items used by our ancestors during the rise of their time. The combination of these two elements really gave myself a great sense of appreciation towards all of the pieces of historical art in the Metropolitan. This may have been my favorite among the three, and I hope I have the opportunity to visit again in the future.
The second museum that I had the pleasure of viewing was the Frick Collection. Although not as large as the Metropolitan, it was not slighted in it's elegance or the quality of artwork captured inside. A very close second to the Metropolitan, the Frick Collection housed a more classical style of art and was much more refined to a type of selection, reasonably because of the time period in which most of the sketches, paintings, and sculptures were found or purchased. The layout was very elaborate and evenly spaced, with no such sense of clutter for the audience to feel comfortable while viewing the artwork. The paintings were of a time period of possibly 17th through 19th century and a series of sketches downstairs, of that time period or later. All of the artwork was beautifully done and could be easily noted of being tedious and laborious, especially the larger portrait paintings. This museum was an enjoyable experience as well.
The final museum on our stop to NYC was The Museum of Modern Art( or MOMA). This exhibit was quite different from the others, mainly due to the span of time skipped to our modern day. All or most of the art was created and displayed in the 20th and 21st century. Because artists of this time period have had many new and different experiences and influences, this adversely changed the style of art used to a more conceptual outlook, expressing feeling and opinion through sculpture, photography, and other sources of media unavailable to those artists of the other two museums. You definitely had to keep an open mind when exposed to the art produced of younger, more recent artists as it may not have been visually straight-forward. For that reason, I enjoyed viewing this type of art which either made you think or permeated your mind with strong feelings of one thing or another. It is not my personal favorite as a type of art, but nevertheless it was most interesting and I don't regret seeing any of it. The entire experience in NYC gave me much more perspective to art and all of its riches and also taught me a better understanding of what I can appreciate as a masterpiece.
Eric Gustitus - N.Y.C. Field Trip Blog Assignment
Thursday, November 4, 2010
NYC assignment- Cate Striplin
Of all the interesting works that can be found in the bustling New York City, I found myself in Chelsea with the up-and-coming artists and those who may be on their way out. In a place so full of raw talent, passion and luck, it truly takes innovation to leave a mark on your viewer. After a day in the gallery district looking over innumerable pieces, the artists work that stuck with me were exactly that; innovative.
Sunday, October 24, 2010
Saturday, October 23, 2010
Townsend’s work is original to say the least. It’s whimsical and eye catching sculptures and wall hangings really had me looking all over the place trying to decide what I wanted to look at first. His incorporation of different shapes and colors also intrigued me. I also loved his use of regular items to make a bigger picture. It was almost like looking at an eye spy book, trying to figure out what everyday item I would come across next. One of the small details I loved best about Townsend’s work was the dead birds. The first one I saw when I realized what it was made me smile, and then when I noticed that he also incorporated them into his other works I was extremely pleased. My favorite work though was definitely “Gathering/Blocked Cloud.
It is clearly the simplest of his pieces but it was the one that kept my attention the most. First walking into the gallery I almost overlooked it, so when I did finally notice it, it was like finding a surprise. It was only constructed with wood and charcoal but it was like stumbling upon a miniature world. I loved the 3D chairs and ladder versus the 2D drawing it lead up to. It was a really imaginative idea and I loved the contrast between the real life objects and the imaginative drawing.
Overall the entire show was amazingly creative and well thought out. All the pieces were placed exactly right so that they all flowed together. I greatly enjoyed spending time examining each piece and finding new and amusing things each time I studied them. I also love how the artist’s creative works really made you pay attention to the detail but the big picture as well. All the items involved worked together to be an intriguing and extremely unique experience. I loved the entire show and would definitely be interested in seeing future work.
Eric Gustitus Assignment # 2
Rachel Harris Assignment Two
The piece I was most interested in was “Another Tankard”, the largest piece in the gallery. It seemed meticulously and almost obsessively composed. The piece consisted of wooden pieces, string, and many other objects such as paint cards from hardware stores. I was drawn to this work because there was no one thing that had just caught my eye with the piece. I was constantly looking and finding new things to observe.
Travis Townsend’s lecture intrigued me in the beginning as he spoke of things that inspired him: creations, satellites and tanks. I enjoyed hears about how his work was never finished. He would constantly work on his pieces, sometimes taking things apart and putting new things together. I was also interested in how he said he had “stolen” his wife’s color palate for her jewelry, and how the colors seemed to fit in very well with the natural feeling of the wood that Travis worked with. As he was talking, however, Travis would mention things like how the titles of his works, and the works themselves were “stupid” or “dumb.” I never really understood why he would say those things about his works that he seemed passionate about making but his words seemed to turn me off to his works. Even though I thought his works were still fun to look at, the wow factor seemed to have disappeared at his words. Overall, I did enjoy the exhibit and would enjoy seeing the evolution of his pieces over time.
Deanna Barnes Blog Assignment 2
The piece that was most interesting to me was titled “Gathering/Black Cloud”; this piece was so interesting to me because it was so tiny. When I first saw the exhibit I did not even notice this piece was there. It was also interesting to me that the artist chose to put such a small piece into a collection of works that are so much larger. Even though it is so tiny is was so intriguing and I spent more time analyzing it than I did on any of the larger sculptures. This piece is almost void of any color except for the color on the wooden ladder. This piece seems to tell a story of a bird that was at the base of the piece but eventually climbed the ladder and has now found a safe haven in the clouds. The drawing in pencil of this bird on the wall was very creative and different from anything I have seen before. This bird can be seen throughout the entire exhibit though I do not always understand its purpose.
When I first looked though the exhibit I did not understand the concept at all but when I read the artist’s statement I understood his intentions and the exhibit very well. I related to the artists ideas about a commercialized world and I like that his pieces are telling a story though all the layers of each piece. When I analyzed some of the sculptures I noticed that each piece has so many random objects on it, like tools or maps or notes these random objects tell the viewer a story about the people who would have used them. The way that the artist expressed his ideas was very creative and thought provoking.
Amber Weaver: Assignment #2
The current exhibition at the Haas Gallery is interesting. The display is by the artist Travis Townsend. The exhibition consists three dimensional pieces with a few works complimented by two dimensional pieces. All of the pieces seem to interact with the rest. And in some cases, the three dimensional pieces even connect with the walls via string. Each piece seems to be related to the next. For example all of the selections contain similar colors, similar materials used, similar details such as doodles and little chairs, and the construction process.
All of the pieces in the exhibit are interesting to look at. I really enjoyed the two dimensional pieces over most of the three dimensional selections with the exception of the one titled Another Tankard. This piece is a gigantic conglomeration with multiple layers of wood, random splashes of paint, doodles, ladders, little chairs, string, and other little elements mixed in to create this thing that in a way looks like a tank or an odd shaped barge. It’s really obscure looking. It makes you wonder what exactly it is. I like how there were little chairs inside of this construction and miniature ladders on the outside. The addition of these little objects make you want to shrink down and go inside the contraptions. Which is what the artist was going for, I think.
I was fortunate enough to go to the artists presentation about his work. Before I heard the talk about the work I thought the works were quite nifty to examine. But after hearing what Travis Townsend had to say about the work and his opinion of it made me just shrug it off. In his presentation, he mentioned that his work was about warfare, satellites, and creation. He also mentioned that his work was more about the process of creation. For example, Another Tankard was changed multiple times. He cut pieces off and added other pieces to make it better. He liked the fact that he can go back in and change things and that he is never really done with a piece. But the thing that really turned me off to his work was the fact that he thought his work was “stupid” and “dumb”. This statement leads me to believe that he really doesn’t care about what he was creating and that he wasn’t passionate about his work. This changed my whole perspective on the exhibit. I went from “wow these things are kinda cool” to “eh, okay those things are just things” all in a matter of a few minutes.