I was particularly interested in Claire Rau's sculptures entitled "Leg-hold Traps." They immediately caught my eye and struck my curiousity, even though the representation of a bear trap was obvious. The piece displayed was a series of three "leg-hold traps" which, though not functional, served their pupose well. The traps were made with various materials---powder-coated steel, cast plastic, paint and hardware--- all of which worked well together to form these sculptures. The "blood" was a highly saturated red blob in the center of each rather unique and somewhat elegant twist on a trap.
The elegant and almost harmless design on the trap worked well with the theme of her "ridiculous booby traps." I thought the piece was very intriguing even though it was not functional as a trap. The artist discussed her desire to make these traps functional, which would be very interesting to me. I too would like to see the pieces functional, it would emphasize how silly booby traps can be. I think this was a very strong piece, to me it was perhaps the strongest example of her theme.
I am unsure as to how the works were political in nature. Aside from possible PETA sympathy in the Fatted Calf, and her mentioning that she believed every art exhibition had some sort of political backing to, I felt there was little evidence of political thought in the exhibition. Although she mentioned the banning of leg hold traps, her indirect involvement with the military, and the somewhat guerrilla style of the booby traps constructed, I didn't feel politically inclined after viewing the show.
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